The Book Cover in the Weimar Republic:

The years between the First and Second World Wars in Germany are famed for their cultural boom. With Berlin as its epicenter, the Weimar Republic was replete with ground-breaking literature, philosophy, and art. At the heart of this intellectual and creative hub were some of the most outstanding and forward-thinking book designs in history.

Book Covers in the Weimar Republic assembles 1,000 of the most striking examples from this golden age of publishing activity and innovation. Based on the remarkable collection of JĂĽrgen Holstein and his rare collectible Blickfang, it combines an unparalleled catalog of dust jackets and bindings with Holstein’s introduction to the leading figures and particular energy of the Weimar publishing age. Expert essays discuss the aesthetic and cultural context of these precious fourteen years, in which a freewheeling spirit would flourish, only to be trampled, burned, or driven out of the country with the rise of National Socialism.

From children’s books to novels in translation, bold designs for political literature to minimalist artist monographs, this is a dazzling line-up of typography, illustration, and graphic design at its most energetic and daring. Part reference compendium, part vintage visual feast for the eyes, this very particular cultural history is at once a testament to an irretrievable period of promise and a celebration of the ambition, inventiveness, and beauty of the book.

Editorial Reviews

Review
„It is almost impossible to do justice to the richness of this selection, which gives us a clear sense of the explosion of energy in publishing during the Weimar period… this book weighs two and half kilos, but every gram is worth it.“ ― The Times Literary Supplement

„…are just as inspiring today as when they were first published.“ ― fastcodesign.com

„The graphics and images are undeniably bold, impressive and strikingly forward-looking.“ ― maturetimes.co.uk

„This book is, in the parlance of my profession, total eye candy. The work is stunning, and there’s a whole lot of it.“ ― The New York Times Book Review

„…a political statement… A book’s cover isn’t just inseparable from a book’s contents, it’s of a piece with the spirit of its age.“ ― The Daily Beast

„If you think Berlin is cool now then boy oh boy you should have been there between 1919 and 1933. The embarrassment of hedonistic riches that were the Weimar Republic would knock today’s moccachino’d up metropolis into a cocked hat.“ ― Propermag.com

About the Author
JĂĽrgen Holstein was born in Berlin in 1936. Following an apprenticeship in an antiquarian book store, he founded his own bookshop in 1966, specialized in 20th century art history and literature. Holstein’s own publications include a book on the cover designs of George Salter and the bestseller Blickfang, which presented outstanding examples of Berlin-based book design under the Weimar Republic. Since German reunification, Holstein has been particularly active in preserving visual culture artifacts of the former GDR. His extensive archive of artworks, objects, books, catalogs, and posters from this period is now housed in the Getty Center, Los Angeles.